
He first started producing art in 1947 in Saint-Malo by collecting found objects (steel wires, bricks from Saint-Malo's Atlantic retaining war). In December 1949, he concentrated his work on ripped advertising posters from the street. Working with fellow artist Raymond Hains, Villeglé began to use collage and found/ripped posters from street advertisements in creating Ultra-Lettrist psychogeographical hypergraphics in the 1950s, and in June 1953, he published Hepérile Éclaté, a phonetic poem by Camille Bryen, which was made unreadable when read through strips of grooved glass made by Hains. In February 1954, Villeglé and Hains met the Lettrism poet François Dufrêne, and this latter introduced them to Yves Klein, Pierre Restany and Jean Tinguely. In 1958, Villeglé published an overview of his work on ripped posters, Des Réalités collectives, which is to a certain degree a prefiguration of the manifesto of the New Realism group (1960) which he joined at its inception.
the new realism movement include 13 artists:
Arman >
César >
Christo
Gérard Deschamps >
François Dufrêne
Raymond Hains >
Yves Klein
Martial Raysse >
Mimmo Rotella
Niki de Saint Phalle
Daniel Spoerri >
Jean Tinguely
Jacques Villeglé > www.villegle.fr



"La Lettre Lacérée" - Affiches lacérées 1954-1992
Until November 8th, 2007
à la Galerie Georges-Philippe & Nathalie Vallois
36 rue de Seine, 75006 Paris
Tel. +33 (0)1 46 34 61 07
Fax +33 (0)1 43 25 18 80
http://www.galerie-vallois.com
Lundi - Samedi
10h30-13h / 14h-19h

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